This is my list - not all of these movie have been at the movie theater - some are made for TV movies & some are documentaries.
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Anne Bancroft & Anthony Hopkins are Helen & Frank and they will leave you wishing the story never ended ...
Plot
Frank Doel (Anthony Hopkins), the reserved English bookseller, answers her request, beginning a touching and humorous correspondence that spans two continents and two decades.
Frank and Helen draw us into their lives -- and their extraordinary friendship -- with their intimate, richly detailed letters"
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"Set in 1944 Colorado, The Magic of Ordinary Days is the story of a young woman, Livy Dune (played by Keri Russell), who became pregnant before marriage. Her father, Rev. Dunne, decided to deal with the situation, by arranging a marriage to a shy farmer through another preacher. The groom, Ray Singleton (played by Skeet Ulrich), lives on a remote farm and is very different than Livy. Ray focuses on what is close to him: his family, his land, today. Livy thinks on a much grander scale: the world, ancient civilizations, far away places.
Ray's farm utilizes the help of Japanese Americans from a nearby Japanese American internment
camp to help work the farm. Livy befriends two well-educated Japanese
American women who were working the farm, Flora and Rose.She finds comfort and familiarity in their friendship.
Livy is polite and civil to her new husband and his sister Martha (Mare Winningham), but she harbors feelings for the father of the baby, a World War II soldier, and feelings of guilt for the pregnancy. Ray, however, is caring, patient, and supportive of Livy, but the fact that she does not want him hurts him deeply. Slowly over time, the two come to understand and love each other, and appreciate that though they are different, neither is better or worse than the other."
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"The hero is Mr. Kaufman himself (Nicolas Cage), a screenwriter struggling to adapt "The Orchid Thief," Susan Orlean's nonfiction meditation on flowers, obsession and Darwinian theory. He is tormented by writer's block and by his twin brother, Donald (also Mr. Cage), an aspiring screenwriter and all-around doofus in his own right. Their sibling rivalry, which is also a metaphor for the pains of creativity, is interspersed with something that looks like an actual adaptation of "The Orchid Thief," in which Ms. Orlean (Meryl Streep) finds herself drawn to a scruffy renegade botanist named John Laroche (Chris Cooper). Then the plots overlap, collide and explode in a conclusion that is at once maddening, troubling and oddly moving. This is a remarkable, impossible movie — about itself but also about its own nonexistence — and one of the most formally audacious, intellectually charged American movies in quite some time." (A. O. Scott, The New York Times)
Hands down - I think this is one of the most powerful Vietnam War movies ever made. It shows the horrifying effects and aftermath that war forever tattoos on the lives of the soldiers, their families & friends and even the country.
The scenes will never leave you and will become as much a part of your psyche as theirs ... it will haunt you ...
War - may or may not be -a necessary evil but what I took away from this movie is that you'd better be damn sure that it's a fight worth fighting before you engage ...
Its title recalls the adventure novels and frontier heroes in the works of James Fenimore Cooper - in fact, only one of the characters found peace in hunting (before experiencing the effects of the psychologically-wounding war). The meandering, sometimes shrill, raw film has been extremely controversial on many accounts - political and emotional."
An incredible book (put it on your list if it's not already there) and an incredible movie. This is another movie that will haunt you forever ... A gut-wrenching look at the contradiction that is humanity ... so selfless & selfish in the same breath ~ so compassionate & brutal ~ so elastic and adaptive & yet so fragile and breakable ...
This movie (and book) always bring to mind the Stalin quotes, “A single death is a tragedy, are million deaths is a statistic.”
A single hungry child is a tragedy, are a million hungry tummies JUST a statistic ...
En route, Tom meets family friend Casey (John Carradine), a former preacher who warns Tom that dust storms, crop failures, and new agricultural methods have financially decimated the once prosperous Oklahoma farmland. Upon returning to his family farm, Tom is greeted by his mother (Oscar-winner Jane Darwell), who tells him that the family is packing up for the "promised land" of California. Warned that they shouldn't expect a warm welcome in California--they've already seen the caravan of dispirited farmers, heading back home after striking out at finding work--the Joads push on all the same.
Their first stop is a wretched migrant camp, full of starving children and surrounded by armed guards. Further down the road, the Joads drive into an idyllic government camp, with clean lodging, indoor plumbing, and a self-governing clientele. When Tom ultimately bids goodbye to his mother, who asks him where he'll go, he delivers the film's most famous speech: "I'll be all around...Wherever there's a fight so hungry people can eat...Whenever there's a cop beating a guy, I'll be there...And when the people are eatin' the stuff they raise and livin' in the houses they build. I'll be there too." ( Hal Erickson, All Movie Guide)
I have watched this show at least 5 x's and each and every time I am blown away ... I mean B.L.O.W.N - A.W.A.Y. The story, the man, and ohhh.... the scenery is unbelievable. I have watched the documentary, read the books, bought more books and still I am amazed ...
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I guarantee that you do NOT need to be a gardener to find this story fascinating.
Visit the website at: www.heligan.com
At the end of the nineteenth century its thousand acres were at their zenith, but only a few years later bramble and ivy were already drawing a green veil over this "Sleeping Beauty". After decades of neglect, the devastating hurricane of 1990 should have consigned the Lost Gardens of Heligan to a footnote in history.
Instead, events conspired to bring us here and
the romance of their decay took a hold on our imaginations. Our discovery of a tiny room, buried under fallen masonry in the corner of one of the
walled gardens, was to unlock the secret of their demise. A motto etched into the limestone walls in barely legible pencil still reads "Don’t come here to sleep or slumber" with the names of those who worked there signed under the date - August 1914. We were fired by a magnificent obsession to bring these once glorious gardens back to life in every sense and to tell, for the first time, not tales of lords and ladies but of those "ordinary" people who had made these gardens great, before departing for the Great War.
Take a look at the actual 1917 photographs below:
These photos were seized upon by no other than Sir Arthur Conan Doyle of Sherlock Holmes fame in 1921, and bandied about as absolute proof of theosophist theories that he was attracted to. Final proof of the girls and their duplicity was revealed in 1983, when Elsie wrote her famous confession and Frances followed suit. The article was posted in The Times."
This HBO series has always fascinated me - I love the gritty, grisly & disturbing look at traveling sideshows, freak-shows, r eligion, magic, family and other odd relationships. This series is, well, umm, well - you'll just have to watch it and see for yourself ...
The carnival is owned by the mysterious and unseen Management, who has designs on the young Hawkins, for the boy is concealing an untapped gift: he can heal the lame and raise the dead--at a price. Ben also finds himself disturbed by cryptic and prophetic dreams, which he shares with a Methodist preacher in California, Brother Justin Crowe. Brother Justin, convinced by his dreams he is following God's will, has begun to practice his own extraordinary talents, although the preacher's plans increasingly lead to disturbing and tragic consequences. In this "last great age of magic,"
Ben Hawkins and Justin Crowe are moving toward a great conflict between Good and Evil, although it not yet clear on which sides these men will stand."
Mike introduced me to Akira Kurosawa many years ago and ever since I have come to enjoy Japanese film. Rashomon is probably one of my favorites - a classic!
'Brimming with action while incisively examining the nature of truth, Rashomon is perhaps the finest film ever to investigate the philosophy of justice.
Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man’s murder and the rape of his wife.
Toshiro Mifune gives another commanding performance in the eloquent masterwork that revolutionized film language and introduced Japanese cinema to the world.'
Well that is my list - What's on yours?
I'd love some suggestions ...
Have a warm & wonderful day
- N -

















